Another Anzac Day is just a few weeks away. It's not
the big one. 2015, in fact, will see the centennial of that dreadful exercise
in military futility known in English as the Gallipoli Campaign, and to Turks
as the Çanakkale War. Next year visitor numbers will be limited, I understand,
to politicians, celebrities and ordinary folk lucky enough to have their number
drawn in a ballot.
'Evacuation' - Anzac statue in Australian War Memorial Museum |
This year, I guess, there are fewer restrictions,
and the usual crowds of pilgrims from Downunder will converge on the beaches,
battlefields and cemeteries where more than eleven thousand of their
grandfathers left their mortal remains during eight months of bitter trench
warfare.
One reason I am writing this a little early is that
I wanted to bisect the dates selected by Turks and Anzacs to commemorate the
event. For Turks, in fact, it has passed. 18 March is when they celebrate their
victory - sadly ironic for Australians and New Zealanders who remember 25 April
as the day our boys first came ashore at Anzac Cove. As far as Ottoman
Commanders were concerned, the major threat came from battleships of the
combined French and British navies attempting to storm through the Dardanelles,
heave to at the entrance to the Bosporus, train their 15 inch guns on the
Sultan's palace and offer him the chance to come out quietly with his hands up.
Like many well-laid and not-so-well-laid plans of
mice and men, the naval gambit didn't come off. Three battleships (one French
and two British) were sunk by the shore batteries and mines inhospitably
emplaced by Ottoman defence forces. The Royal Navy and its French allies beat a
strategic retreat, and Plan B was put into action. Plan B was, of course, the
beach landings with which we antipodeans are more familiar. For their part the
Ottomans, trusting in conventional military wisdom which favours the defenders
in a marine-based invasion, backed themselves to turn it back - which they
ultimately did, after eight months of fairly pointless slaughter.
These days, however, what we descendants of those
Anzac lads choose to commemorate is something more symbolic. At the time, of
course, the British Empire was still claiming to rule the seas and an empire on
which the sun never set. New Zealanders, at least, were still colonials and
thinking of Britain as 'Home'; the King and Country they were fighting for,
George V and Mother England. Many of us these days, rightly or wrongly, look
upon 25 April 1915 as the date we began to grow up as a nation, to cut the
imperial apron strings and to forge our own identity. The brave young men who
performed above and beyond the call of duty in those Gallipoli valleys and on
the ridges planted the seeds of independence and self-determination in our national
psyche.
The actual day of commemoration in Turkey may be
different, but that bloody struggle has an equally important place in the
popular consciousness. Defeat in the First World War heralded the end of the
600-year Ottoman Empire. Victory in the Çanakkale War marked the beginning of
the rise of Mustafa Kemal who went on to lead the resistance movement that
turned back a military invasion, expelled occupying forces and founded the
modern Republic of Turkey.
Legends abound on both sides of extraordinary
courage, heart-rending pathos and minor events with major repercussions. One
such is known to Turks as ‘the watch that changed a nation’s destiny’. One of the crucial engagements of the campaign took place on the ridge
of Conk Bayırı (Chunuk Bair). During that closely fought encounter, a piece of
shrapnel is said to have struck Col. Mustafa Kemal in the chest – the watch in
his breast pocket taking the impact and very likely saving his life. Turks
often say, ‘If not for Mustafa Kemal
Atatürk, there would be no Turkey.’
'A Man and his Donkey' Melbourne War Memorial |
On the Anzac side, an enduring story is that of
Private Simpson who, with his trusty donkey, earned fame and gratitude by
ferrying wounded comrades back to the shore under constant fire in an area
known as Shrapnel Gully. Prints of the man and his beast hang on walls of RSA
clubrooms, and a statue by sculptor Wallace Anderson in the Australian War
Memorial in Melbourne enshrines the legend.
In Turkey too, statues are to be found that
embody the courage and self-sacrifice of young men who managed to retain their
humanity in those inhuman conditions. There is Corporal Seyit, a gunner who is reputed to have carried single-handedly three artillery
shells weighing 275kg to the shore batteries silenced when the shell crane was
damaged.
Another, in a location known to Anzacs as Pine
Ridge, immortalises the deed of a Turkish soldier who carried a wounded Allied officer to
safety. According to an article in The Daily Telegraph, the officer, a captain, ‘lay in no man's land while a ferocious battle raged around him. A
white flag tied to the muzzle of a rifle appeared from a Turkish trench and the
shooting suddenly stopped. A Turkish soldier climbed from the trench, picked up
the officer, delivered him to the Australian lines and returned to his own
side.’ The story is considered reliable since it was reported by a
Lieutenant Richard Casey who later became Governor-General of Australia.
It is a
surprising thing to me that Turks seem to harbour no resentment against the
descendants of those Anzacs who invaded their country and killed eighty
thousand of their young men. On the contrary, I have found that my New Zealand nationality
seems to give me a special status in Turkey. We are accorded free-of-charge a
three-month visitor’s visa when we enter the country – a gesture, I am sad to
say, our government does not reciprocate. The magnanimous words of Atatürk to
the mothers of Anzac soldiers killed in action are often quoted:
“Those heroes that shed their blood and lost their lives . . . You are now
lying in the soil of a friendly country. Therefore rest in peace. There is no
difference between the Johnnies and the Mehmets to us where they lie side by
side now here in this country of ours. You, the mothers, who sent your sons
from faraway countries, wipe away your tears; your sons are now lying in our
bosom and are in peace. After having lost their lives on this land they have
become our sons as well”
I was a little saddened, then, to read the following article in my local Turkish newspaper
last week (I am translating directly from the Turkish):
“On the 99th anniversary of the Çanakkale Naval Victory, and
as Anzacs prepare for ceremonies commemorating their war dead, an 89 year-old
insult has come to light.
A statue entitled ‘Evacuation’ in the collection of the War memorial
Museum in the Australian capital city Canberra depicts an Anzac soldier leaning
against a gun carriage with a Turkish flag under his feet . . . and beside the
flag a human skull assumed to belong to a Turkish soldier. The gun carriage on
which the Anzac soldier is leaning represents war and the disaster of
Gallipoli. The Turkish flag and skull on which he is standing symbolize the
territory they invaded and the enemies they killed.
The Museum’s website contains photographs, and information that the
statue was modelled in clay in 1925, moulded in plaster in 1926 and cast in
bronze in Melbourne in 1927. According to notes on the website, the 82 cm-high
statue was later bought by the Australian War Memorial Museum and added to its
collection.
While our boys during the Çanakkale War were waving a white flag to pause
hostilities and behaving like gentlemen in carrying a wounded Anzac soldier
back to his own trench, the continued presence of this statue in the collection
after 89 years has drawn a reaction from history scholars.
Every year on Anzac Day, April 25, Australians and New Zealanders coming
to pay their respects to their forebears are welcomed at Kanlısırt on the
Gallipoli Peninsula by a monument depicting a Turkish soldier carrying a
wounded Anzac soldier in his arms.”
Well, I checked it out and it’s true. There is such a
statue in the Australian War Memorial Museum, and it seems to contain the
details the Turkish columnist was objecting to. The sculptor referred to
earlier, Wallace Anderson, served in France during the First World War, so he
had first hand experience of the conflict. Apparently he saw it as his artistic
mission ‘to show the public the qualities of Australian
servicemen, rather than just the details of war’. This particular piece, entitled ‘Evacuation’, according to the museum website, portrays an
‘idealised depiction of Australian
manhood’, an admirable sentiment, as far as it goes. We should recognize,
however, that what may have been important to Australians and New Zealanders
back there in the 1920s may have been superseded by the requirements of living
in the 21st century global village.
One of
the myths of Gallipoli, from an Allied point-of-view is that, although we were
unsuccessful, we put up an almighty fight, and in the end, by remarkable feats
of ingenuity and cunning, managed to spirit ourselves away from under the noses
of the Turkish gunners without major loss of life. It is just possible,
however, that those Ottoman commanders, seeing the invaders were obviously
intent on vacating the premises, and buggering off back to wherever they had
come from, elected to let them go without inflicting more unnecessary
casualties. It may have been deemed necessary, in Australia in 1925, to
maintain the myth by suggesting that, in spite of the manifest failure of the
Gallipoli invasion, our boys had trampled on the Turkish flag and inflicted
heavy casualties on those young men defending their homeland – but 90 years on we
may want to accept that such jingoistic imperialism belongs, at best, to the
footnotes of history.
One of my
favourite New Zealand writers, Maurice Shadbolt, produced a book based on
interviews he carried out in the early 1980s. Realising that the Gallipoli
generation would not be around much longer, Shadbolt hunted out a number of
survivors and visited them in old folks’ homes around New Zealand. ‘Voices
of Gallipoli’ is a collection of transcripts of the interviews he
conducted with these men, now in their 80s, some of whom had not spoken of
their experiences from that day to this. Their poignant recollections convey, with
dramatic simplicity, the contrast between the idealised heroic glamour of war
and the dehumanising squalor, terror and personal loss of the Gallipoli
experience:
“I lost my dearest friend, Teddy Charles, that
day. We joined up together and saw the campaign through together until
Chunuk Bair. There were no officers left, no NCOs. Just soldiers.
Teddy led thirty men forward to try and hold the ridge. He called, “Come
on, Vic”, but I was impeded by Turkish fire. We never saw those thirty
men again. Later, in the dark, I thought I heard Teddy’s voice calling
for his mother, then for me. But then the place was crawling with Turks and I
couldn’t get to him. He’s still on Chunuk Bair, a pile of bones.”
“Veterans of the Wellington battalion remember a
member of the machine-gun section being sentenced to death for sleeping at his
post. It happened in late July at Quinn’s Post. The sentence was remitted on
medical grounds as the man had not been relieved from sentry duty at the proper
time. He continued to serve on the peninsula and was killed in the August
battles.”
Interestingly, there is very little information
about this book online – it seems to be out of print and I was unable to find
an in-depth review. How many years must pass before we are able to view
historical events with dispassionate objectivity? Very occasionally we are
permitted a glimpse into a ‘familiar’ event through the eyes of another observer
– and the experience can be sobering.
I read another Turkish source suggesting that, if
the invasion of Gallipoli had succeeded and Allied forces had been able to
supply and reinvigorate the Czarist Russian military, as was their aim, the
Bolshevik Revolution might have been delayed and perhaps never have occurred. The
red tide of British Imperialism might have flowed a little longer – and that of
Soviet Communism faded before it began. The world might have been spared the
mindlessly suffocating half-century of Cold War threats and posturing.
History is full of ‘Ifs’ and ‘might-have-beens’ . .
. and it’s worth remembering that there are at least two sides to every story.
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